Campus News

Buffalo is headed to Venice

Grand Canal, Venice Italy. Palazzo Bembo is the second building from the left.

UB's exhibit in the 2018 Venice Architecture Biennale will be hosted at Palazzo Bembo (second building on the left), a 15th-century palazzo located on Venice’s Grand Canal.
 

By RACHEL TEAMAN

Published February 20, 2018

“For us, it’s the full arc of Buffalo’s history and the complexity of its current character — in rise and ruin, rust and revival — that shape us.”
Gregory Delaney, clinical assistant professor of architecture
School of Architecture and Planning

For more than five decades, Buffalo has inspired and situated the teachings and research of UB’s School of Architecture and Planning. In creative exchange, the experiments of its students and faculty — built works, mobilized plans, bold ideas — have woven new dimensions into the fabric of the city.

Now, the School of Architecture and Planning is taking Buffalo’s story of place — and its place within it — all the way to Venice as part of an international exhibit organized in conjunction with the 2018 Venice Architecture Biennale.

Widely regarded as the premier global forum for architecture and design, the Biennale turns Venice into a city-wide exhibit on the latest thinking in the discipline, drawing more than 300,000 visitors over the course of the six-month event.

Recognized for rooting design and planning education in research and intensive engagement with its host region, the School of Architecture and Planning is among an elite group of 32 international academic institutions invited to participate in the “Time Space Existence” exhibition organized by the European Cultural Center and sponsored by the Global Arts Affairs Foundation.

The exhibition brings together the academy and architecture and design professionals to provoke conversation on the most pressing challenges facing the discipline today. Time Space Existence runs in concert with the Biennale, from May 26 through Nov. 25.

“The Venice Biennale is a singular opportunity to put Buffalo and our school on the global stage of architecture and design,” says Dean Robert G. Shibley, widely renowned for his work on planning efforts that today underpin the city’s resurgence.

“Buffalo holds an important place among the world’s greatest cities for architecture and urban design. And its influence — both the tangible and unseen — comes to life in the imaginations of our students, faculty and even alumni who carry the city with them into every corner of the world.”

The school has chosen the medium of film for its exhibit, stitching together a story of school and city through the sights and sounds of Buffalo and students at work on campus and in the community. Gregory Delaney, clinical assistant professor of architecture with a focus in urban design and architectural history, will serve as co-curator with architecture professor and Associate Dean Korydon Smith. 

The school will collaborate with local filmmaker John Paget to produce the film. Paget’s documentary-style films on Buffalo and its architecture have gained national acclaim. An exhibition catalog of faculty and student reflections on the city as context to their work will complement the film.

Students and faculty will be involved in the production, curation and installation of the exhibit, as well as workshops and a study abroad program hosted in Venice during the biennale. Viewings of the exhibit in Buffalo are planned after the close of the biennale.

“For us, it’s the full arc of Buffalo’s history and the complexity of its current character — in rise and ruin, rust and revival — that shape us,” Delaney explains. “We, in turn, get to play a small role in shaping the city, from research studios and design-build interventions to large-scale master plans and partnerships with local agencies and industries. 

“The collaboration with John Paget and the medium of documentary film give us the opportunity to share the experience of our school and city with Venice and the visitors to this year’s biennale.”

The school’s intimate relationship with Buffalo dates back to the school’s founding in the late 1960s. It was the city’s grain elevators that inspired UB architecture faculty member Peter Reyner Banham to write his landmark work, A Concrete Atlantis, on industrial architecture in America and Europe. And it was planning students in the mid-1980s who started conceiving of Buffalo’s downtown as a neighborhood and hosted citywide conversations on a new planning framework that continues to emerge today.

Much of the school’s internationally significant work has its roots in Buffalo. Recent developments include experiments in design with terra cotta, sheet metal and concrete with local industry; construction of a nationally award-winning zero-energy housing prototype; and the design of food-system plans now being implemented in communities around the world.

The UB community can follow the school’s preparations for and journey to Venice on Instagram (@BuffaloArchPlan, #BuffaloInVenice).